EPK – Odium – Terraform (2015) – Release Date: Oct 23, 2015 |

Odium – Terraform (2015 – Release Date: Oct 23, 2015

Contact: PR Rep – Jon Asher – ashermedia(@)gmail.com

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For fans of Soilwork, Lamb of God, Darkest Hour, Scar Symmetry

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Album Order – https://www.kt8merch.com/store/pages/18414/Odium.htm

Download High Res Press Photo | Download Album Cover | Download Album Lyrics

“A very entertaining and intelligent.. from the time I pushed play to the time It all stopped. This album feel’s like a breathe of fresh air within Metal, they have a dynamic presence and conveyance about them.” – Taste of Khaos

“The songs on this album are what you’d expect from a fantastic Metal band. Songs like ‘The Cell’ and ‘Redemption’ are the essence of Metal and the tip of the anarchist iceberg. Overall, ‘Terraform’, is a brilliant album that’s full of neck breaking explosions and hair tangling insanity.” – 925 Rebellion

Track Listing: Odium – Terraform
1. Odyssey (2:26)
2. Feral Inversion (5:04)
3. Centipedes (3:43)
4. Return to Form (4:26)
5. Delusion (4:18)
6. Dead (4:16)
7. Failure II (4:17)
8. Obsolete (4:46)
9. The Cell (4:48)
10. Redemption (3:48)
11. Displacement of Hope (6:00)
Album Length: 47:57

Album Credits:
– All songs written, arranged, performed, and produced by Odium
– Lyrics by Andrew Fullerton and Bo Louther
– Guitars, bass, and drums recorded by Joe Mullen at Joedown Studios, Hanover, Ontario
– Vocals recorded by Greg Dawson at BWC Studios, Brampton, Ontario
– Mixed and mastered by Greg Dawson
– Piano, strings, and sound design by Bo Louther
– Guest solo on ” the Cell” by Greg Dawson
– Artwork by Mikio Murakami at Silent Q Design
Band and Live Line Up:
Joe Mullen – Drums
Bo Louther – Guitars
Marc Dobson – Guitars
Jake Fortney – Bass
Andrew Fullerton – Vocals

L-R – Joe Mullen – Drums | Bo Louther – Guitar | Andrew Fullerton – Vocals | Marc Dobson – Guitar | Jake Fortney – Bass/Vocals (Photo Credit – SUPERMANIAK) [Download High Res Photo]

ODIUM has been operating out of Hanover, Ontario producing dark, yet melodic metal layered with fast-paced gruff bellows, resonating vocals, and pounding instrumentals for nearly a decade. After releasing an EP and two full-length records, the band has been gearing for their third album ‘Terraform’ due out on October 23, 2015.(http://odium1.bandcamp.com/http://www.kt8merch.com/store/pages/18414)

Their goal is to write heavy and melodic music, while constantly developing their style from album to album. The instrumentals lend their tone and energy to invite more versatility in the vocals in each song. Their passion for performing live and incredible stage energy has allowed them to open for Alexisonfire, The Agonist, Beneath the Massacre, Divinity, Moneen, and Fuck the Facts.

The lyrics invite listeners to take a journey through despair, while the bass and drums drive the rhythm, the guitars straddle the line between pure aggression and melodic riffs. For ODIUM there has always been a pattern of evolution over the past few years that allows them to continuously create multi-genre influenced music. The band is comprised of Joe Mullen, Jake Fortney, Andrew Fullerton, Bo Louther, Marc Dobson, who have come from various bands such as Archaea/Willfall.

The bands name is defined as ‘disgraceful hate’ however after the past 10 years they have come to see the band name relating directly to perseverance. ODIUM has a foundation of trust which creates a bond likened to that of a brotherhood. The dedication and teamwork within the band is based on respect, and because the internal bond is so strong they are able to create a meaningful connection with fans.

“It is clear that Odium knows how to be heavy and they utilize it exactly where it is most needed…This album is perfect for those who want to take a step back from the unrelenting aggression of many metal bands out there and appreciate that beauty and anger can harmonize.” – TheNewReview.net

“Standouts like the album’s opening title track pit detuned, jud-judding six-strings and double-kick drum rhythms with singer Thomas Emmans’s varied vocal styles, which run from Maynard James Keenan-styled creep-crooning to esophagus-annihilating screams.” – Exclaim!

“Melodic and brutal, the music of Odium’s sophomore album is nothing less than one of the most technically precise Metal albums it has been my pleasure to listen to….The songs of ‘Burning the Bridges’ are spectacular; a mix of brutality and poetry; songs like “Blue Channel” and “Viral by Nature” are among my favorites, on a disc loaded with powerful standout material. Like Metal? Get this. Odium: Burning the Bridges to Nowhere – 9/10” – Confront Magazine

“Loud and fast but also melodic and complex, fan of acts like Killswitch Engage and Lamb of God will not be disappointed.” – London Metro News

“If you have any appreciation technically brilliant, intelligent and mature, massively heavy modern metal then do not miss out on Burning The Bridges To Nowhere. Odium are definitely a band to watch.” – RawNerve Zine

“Odium are very good at what they do, namely melodic Death Metal. This Canadian quintet have a lot going for them…competent and execute the form very well… There are some nice orchestrated atmospheric moments such as at the beginning of ‘Insomina’” – Metal-Rules.com

“Odium posses very distinctive and strong melodic leanings, catchy riffing and undeniable prowess on the performing front – especially with the clean/growl vocal trade-off and the tight rhythm section….cuts like the thrashy “Viral By Nature”, “Within the Distraction” and the title track, perfectly blend with the more expansive sound of “No Way Out” and the melancholic quasi-ballad “The Descent” among others to deliver a decently solid piece of modern Metal. ” – PureGrainAudio.com

” Right from the opening title track one knows exactly what they’re getting: hard hitting riffs with great rhythm, solid production so everything can be heard, and a dual assault of bellowing snarls with dark and brooding clean vocals that can send shivers down one’s spine…the biggest surprise is the closing “The Descent” which trades the angry, aggressive sound for a soft, almost classical sounding Rock ballad. Here fans get to see the more emotional side that was probably buried in all the screaming, and for new fans it may feel out of place, but one cannot argue that this is the ‘hardest hitting track’ on the album, as it aims right for the heart. Whether one likes Metal or Rock in general, there’s a bit of something here for everyone, as with the entire release of ‘Burning The Bridges To Nowhere.'” – Brutalism.com

“the album is a beast that roars anthem after anthem mixing traditional metal guitar solos, Gothenburg tones, and the grunting / singing combination” – MetalForces Magazine

“Without a doubt this is one of the better modern melo-death metal albums out this year and the uniqueness within their sound should help to attract new listeners. Album number two is exceptional and now I wait in earnest for their next release. I am sure it’s going to be as stunning as this one is. ” – Blistering.com

“Odium have delivered a strong release with their second album “The Burning Bridges To Nowhere”. Strong melodic riffing leads, strong driving rhythm, strong death vocals along with delicate clean vocals that melt into a great sound garment and make this album interesting. 8/10″ – Metal-Glory.de

“They forge fast and pulsating melodic metal in the vein of In Flames, with biting verses akin to Lamb of God. Vocalist Tom Emmans rips through the tracks, delivering highs, lows and clean singing for the choruses…What sets them apart from other metal bands is their song structure, having uniquely arranged melodies that correspond with stadium and arena-like choruses. Imagine Tool ditching their progressive style and forming a supergroup with Unearth.” – The Link (Concordia University students newspaper – Montreal)

“To be radio satisfactory, a melodic catch has to be present to appeal to the half-distracted listener. That is demonstrated in vocalist Tom Emmans’ clean singing during the album’s choruses. His sound is haunting and pure, like Maynard Keenan, but doesn’t whine. Not every metal vocalist can sing, growl and screech successfully and be aesthetically brutal. This is a key aspect as to why new Odium fans will fawn over them.” – Journal & Courier Daily (West Lafayette, IN)

“The thing with a band like Odium is that they know how to walk that line between full on heavy, thrashed out metal and melody. It’s definitely their style, but they only seem to turn it on where it’s necessary, and that speaks to a much wider audience.” – Juliette Jagger – AlanCross.ca

“Odium are a Canadian band that just released their smoking album “Burning the Bridges to Nowhere”. The band sound like a mix of Killswitch Engage, In Flames and Tool. Unlike most generic metalcore that you hear nowadays, Odium actually have the chops and the hooky songs to make it big. Think metalcore is crap or “false” metal? Listen to “Burning the Bridges to Nowhere” and you will be converted to Odium’s music.” – Scratch The Surface

“Odium’s sophomore release is high on energy and features plenty of “impact is imminent” thrash moments that are easy enough for the listener to latch onto. “Burning The Bridges To Nowhere” is a recommended release.” – Heavy Metal Time Machine

“Playing a familiar form of modern metal that will appeal to fans of Killswitch Engage, All That Remains…” – TeethofTheDivine.com

“Burning the Bridges to Nowhere” has a constant flow and keeps the energy high and octane filled…” – XplosiveMetal.com

“This is where Walkerton’s Odium come in. What Scar Symmetry has achieved for European sensibilities, this band has achieved for the North American taste. In the vocal department, Tom Emmans alternates between a guttural rasp not unlike a more guttural Jamey Jasta, and clean vocals that are serviceable and familiar in a modern rock mold. The guitarists, Andrew Fullerton and Bo Louther, also familiar melo-death tricks to the show, reminding one primarily of At the Gates. The rythm section, bassist Dale Burrows and drummer Joe Mullen, does some really solid, supremely heavy things that keep the tunes grounded firmly in DM. Fantastic double kick work and bass licks that keep pace and perfectly fill the pocket between the guitars and the drums.” – Matt Miller’s Metal Militia Blog

“Fans of Killswitch Engage or All That Remains will enjoy Odium’s second offering…There is a lot to enjoy here, admirers of thrash metal will appreciate the chugging guitar riffs and Slipknot devotees will enjoy the heavy drum patterns. A softer side also develops through the album with ‘Blue Channel’ and ‘The Descent’. Together with some orchestral moments they provide a welcome listening break within the record. The more sombre moments of “Burning Bridges To Nowhere” point towards Tool in many ways, including a dazzling vocal segway in “Claw My Eyes Out”.” – ThisIsNotAScene.com

“You are getting your money’s worth with this album. Anyone even remotely interested in melodic metal will quickly fall in love with Odium. Odium has taken a genre that is so often devoid of beauty and filled it to the brim with melody and substance without compromising their metal roots. ” – TheNew Review.net (review for debut album At the Bottom)

“…At The Bottom is quite an impressive debut..” – Blistering.com (review for debut album At the Bottom)

Shared stage w/

Fuck The Facts, Cryptopsy, Alexisonfire, The Agonist, Threat Signal, Baptized In Blood, Beneath The Massacre, Divinity, Arise and Ruin, Endast, Arkham Awaits, Today I Caught the Plague, The Empire Shall Fall

Past Tours & Festivals

2013 – Ontario /Quebec Tour (multiple times)

2013 – Ontario Alliance Tour w/ Aquila

2013 – Drummondville Metal Fest V

2012 – Ontario / Quebec Tour (multiple times)

2011 – Southern Ontario Metal Fest

2009 – Scene Fest (Hamilton, ON)

Discography

2012 – Burning The Bridges To Nowhere (Year of The Sun Records)

1. Burning The Bridges To Nowhere 05:10
2. Within The Distraction 05:18
3. Blue Channel 03:35
4. Viral By Nature 03:57
5. Insomnia 05:24
6. A Ghost Upstairs 03:16
7. Claw My Eyes Out 05:03
8. Identity Of The Doomed 04:52
9. No Way Out 04:19
10. The Descent 04:27