“Morgan Rider and the Deep Dark River and their sophomore record, “Leviathan And The Deep, Dark Blue”. It is, lyrically, truly a precious gem in a world where the written word matters little to the consumers of music. It does portray music, in its entirety, as an integral and an indispensable work of art, and for that, listeners worldwide can be only grateful.” – Metal Temple http://www.metal-temple.com/site/catalogues/entry/reviews/cd_3/m_2/morgan-rider-the-deep.htm
Posts By Asher
0 “Morgan Rider and the Deep Dark River and their sophomore record, “Leviathan And The Deep, Dark Blue”. It is, lyrically, truly a precious gem in a world where the written word matters little to the consumers of music. It does portray music, in its entirety, as an integral and an indispensable work of art, and for that, listeners worldwide can be only grateful.” – Metal Temple
0 Killer! Who’s on the list… Top 100 Albums of 2019 – CJSW Radio #28 Gone Cosmic** – Sideways In Time (Kozmik Artifactz) #99 Chron Goblin** – Here Before (Grand Hand Records)
Killer! Who’s on the list…
Top 100 Albums of 2019 – CJSW Radio
#28 Gone Cosmic** – Sideways In Time (Kozmik Artifactz)
#99 Chron Goblin** – Here Before (Grand Hand Records)
*Canadian **Local
0 Angry Metal Guy – Album Review – Tylor Dory Trio – Unsought Salvation – “The highlights on Unsought Salvation are threefold. The main highlight is the epic closing track, “Cenotaph.” It’s a fourteen-minute excursion into the realms of prog metal, replete with dexterous fretboard work, a left-field solo halfway through, some interesting piano work and stellar groove, and all told a solid, full-bodied arrangement. “East of Eden” also displays strong writing/arrangement techniques, while “The Fallen Man” displays sublime electronic augmentation and a killer sense of rhythm. All three songs, as well as the moody, intriguing “Into the Maelstrom,” also highlight a pretty cool feature of the album: every song segues into the next in a logical and compelling fashion, giving us the sense of listening to one cohesive, whole suite. It’s really well done.” – Angry Metal Guy
“The highlights on Unsought Salvation are threefold. The main highlight is the epic closing track, “Cenotaph.” It’s a fourteen-minute excursion into the realms of prog metal, replete with dexterous fretboard work, a left-field solo halfway through, some interesting piano work and stellar groove, and all told a solid, full-bodied arrangement. “East of Eden” also displays strong writing/arrangement techniques, while “The Fallen Man” displays sublime electronic augmentation and a killer sense of rhythm. All three songs, as well as the moody, intriguing “Into the Maelstrom,” also highlight a pretty cool feature of the album: every song segues into the next in a logical and compelling fashion, giving us the sense of listening to one cohesive, whole suite. It’s really well done.” – Angry Metal Guy
https://www.angrymetalguy.com/tylor-dory-trio-unsought-salvation-review/
0 Melodic.net – Album Review – Tylor Dory Trio – Unsought Salvation – “Canadian band TYLOR DORY TRIO sounds very much like a jazz piece, but nothing could be more incorrect. What you get here is guitar driven progressive metal of class, and actually with some unique or at least unusual twists… They have their own style – sometimes heavy, sometimes soft. And there are mystical parts as well, with melancholy. An interesting acquaintance.”
“Canadian band TYLOR DORY TRIO sounds very much like a jazz piece, but nothing could be more incorrect. What you get here is guitar driven progressive metal of class, and actually with some unique or at least unusual twists… They have their own style – sometimes heavy, sometimes soft. And there are mystical parts as well, with melancholy. An interesting acquaintance.”
0 Games, Brrraaains & A Head-Banging Life – Album Review: Pyramids on Mars – Edge of The Black (Self Released) “What we have here is over 50 minutes of intensive guitar playing that holds the attention by being layered with varied tempos, melodies and hooks.”
Games, Brrraaains & A Head-Banging Life – Album Review: Pyramids on Mars – Edge of The Black (Self Released) “What we have here is over 50 minutes of intensive guitar playing that holds the attention by being layered with varied tempos, melodies and hooks.” https://www.gbhbl.com/album-review-pyramids-on-mars-edge-of-the-black-self-released/
0 Games, Brrraaains & A Head-Banging Life – TDT – Album Review: Tylor Dory Trio – Unsought Salvation (Self Released) “so much of Unsought Salvation will bring a joyous smile to the face as it twists and turns in ways few can even imagine. “
Games, Brrraaains & A Head-Banging Life – TDT – Album Review: Tylor Dory Trio – Unsought Salvation (Self Released)
“so much of Unsought Salvation will bring a joyous smile to the face as it twists and turns in ways few can even imagine. “https://www.gbhbl.com/album-review-tylor-dory-trio-unsought-salvation-self-released/
0 A Casual Conversation with Didier Samson of The Flaying #056
A Casual Conversation with Didier Samson of The Flaying #056 https://anchor.fm/the-brutally-delicious-podcast/episodes/A-Casual-Conversation-with-Didier-Samson-of-The-Flaying-56-e9gpgn
0 Review: “Unsought Salvation” by Tylor Dory Trio – Metal Noise “A therapy session during the synth backed opening of “The Righteous and the Rest” about being prisoners of our own thoughts is certainly a novel way to start an album. The surprise is that after the first wave of synth backed Progressive Metal riffs play out, we are greeted by the bright riffs of the likes of Intervals with some Grunge era vocals that you wouldn’t expect to find as an accompaniment but work incredibly well. How Tylor Dory himself can manage to sing this well and play the riffs he does here live can only be a thing of wonder. “
Review: “Unsought Salvation” by Tylor Dory Trio – Metal Noise https://metalnoise.net/2019/12/review-unsought-salvation-by-tylor-dory-trio
A therapy session during the synth backed opening of “The Righteous and the Rest” about being prisoners of our own thoughts is certainly a novel way to start an album. The surprise is that after the first wave of synth backed Progressive Metal riffs play out, we are greeted by the bright riffs of the likes of Intervals with some Grunge era vocals that you wouldn’t expect to find as an accompaniment but work incredibly well. How Tylor Dory himself can manage to sing this well and play the riffs he does here live can only be a thing of wonder.
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