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0 Montreal Tech-Death VOLUBILIS Announce Debut Album “Theasterion” Out July 2026; Streaming Single “Ashes & Embers”

  • May 27, 2026
  • by Asher
  • · Music News · Volubilis

NEWS RELEASE

Montreal, QC – May 27, 2026

Montreal Tech-Death VOLUBILIS Announce Debut Album “Theasterion” Out July 2026

Streaming Single “Ashes & Embers”

L-R – Shawn Hillman (Fretless bass) | Miguel Marcheterre-Pina (Guitar) | André Dubien (Vocals)

Photo Credit – Jade Weeles & Miguel Marcheterre-Pina

Montréal technical death metal force Volubilis officially announce their highly anticipated debut album “Theasterion,” set for release on July 10, 2026. The announcement arrives alongside the band’s first single, “Ashes & Embers,” now streaming on all major platforms.
​
Founded in 2020 by Afro‑Canadian multi‑instrumentalist and world‑builder Miguel Marcheterre‑Pina, Volubilis first emerged as a pandemic‑era solo project before expanding into a full lineup featuring some of Canada’s most promising extreme‑metal musicians: André Dubien (vocals), Jacob Collins (drums), Alexis Rioux (guitar), and Shawn Hillman (fretless bass). What began in a bedroom has since evolved into a multidisciplinary, lore‑driven creative universe, one that fuses technical death metal, visual storytelling, and ambitious conceptual worldbuilding.

Volubilis shape their identity through an intricate, hyper‑speed, melodic, modern, and fully immersive approach to extreme metal. Drawing from progressive and technical death metal, neoclassical and black metal, metalcore, and even classical and hip‑hop influences, the band pushes the genre into bold new conceptual territory. Powered by colossal blast beats, monstrous vocals, and soaring harmonies, “Theasterion” positions Volubilis as one of the most compelling new forces in the progressive and technical metal landscape. Their meticulous songwriting and expansive self‑built sci‑fi universe reveal a level of ambition rarely seen in a debut release.
​
​“This album represents a significant milestone, not just for us, but for the visibility of Afro‑Canadian and BIPOC artists in extreme metal. Theasterion is a legacy project. It’s meant to inspire others to pursue their creative visions, even with limited resources,” says Miguel.

“Theasterion” is a fully conceptual record that follows a sweeping science‑fiction narrative. Humanity, no longer able to survive on Earth, colonizes a satellite orbiting the planet Theasterion. When a mysterious monument, the Prism, appears, its glyphs reveal a prophecy foretelling the supernova of the nearest star, Unukhalai. The revelation fractures the colony, igniting political upheaval, a coup d’état, and a desperate expedition to the hostile planet below. There, the explorers encounter the Homo Cumulus, a non‑linear anthropoid species evolved beyond human comprehension. As tensions rise and resources collapse, humanity faces extinction long before the cataclysm arrives.
​
The album’s first single, “Ashes & Embers,” showcases the band’s signature blend of technical precision and cinematic intensity. Opening with a triplet‑driven riff inspired by Beyond Creation and Ne Obliviscaris, the track erupts into high‑velocity phrygian runs, a Necrophagist‑esque solo, and a dramatic tapping section that highlights the band’s world‑class musicianship.
​
Streaming now, “Ashes & Embers” offers listeners their first step into the vast universe of “Theasterion.”

Spotify – https://open.spotify.com/track/2jL5Lvva0VYWoKfyvdcIec

Visualizer – https://www.youtube.com/watch?v=4f130h2824Q

​

Bandcamp – ​https://volubilisband.bandcamp.com/track/ashes-embers​
​
Recommended for fans of Beyond Creation, Vale of Pnath, Obscura, First Fragment and Ne Obliviscaris.

Album pre-order / pre-save available at the following links

Digital pre-save – https://distrokid.com/hyperfollow/volubilis1/theasterion​

Bandcamp – https://volubilisband.bandcamp.com/album/theasterion​

Track Listing:​
1. Le Flamboiement Stellaire (5:16)
2. Theasterion (6:30)
3. Homo Cumulus (5:48)
4. Ashes & Embers (4:50)
5. The Prism (4:01)
6. Unukhalai Supernova (6:24)
Total Album Length: 33min

Album Band Line Up:​
Miguel Marcheterre-Pina – Rhythm, lead and acoustic guitars, composition, concept art, lyrics.
Shawn Hilman – Fretless Bass, Contrabass
André Dubien – Vocals, lyrics on songs 03 & 06.
Jacob Collins – Drums
Alexis Rioux – Guest solos on songs 01, 02 and 03.
Michelle Gao: Violin, viola on song 06

Live Band Line Up:​
Miguel Marcheterre-Pina – Guitar, backing vocals
Shawn Hilman – Fretless Bass
André Dubien – Vocals
Jacob Collins – Drums
Alexis Rioux – Guitar

More info:

​https://bio.site/volubilis​

​https://www.facebook.com/profile.php?id=100093419962099​

​https://www.instagram.com/volubilisband/​

About: Volubilis is a Montréal‑based technical death metal band founded in 2020 by multi‑instrumentalist Miguel Marcheterre‑Pina, originally conceived as a pandemic‑era solo project. It soon expanded into a full lineup featuring André Dubien, Jacob Collins, Alexis Rioux, and Shawn Hillman, quickly establishing itself as one of Canada’s most promising new extreme‑metal acts. After releasing their first single, “Ashes & Embers” in 2025, the band now returns with their ambitious conceptual debut album, “Theasterion.” Defined by colossal blast beats, monstrous vocals, and sweeping harmonies, their sound delivers a fresh and immersive take on progressive and technical metal. Rooted in a self‑created sci‑fi universe and driven by world‑class musicianship, Volubilis push extreme metal into bold new artistic territory.

– 30 –

​
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0 Montreal Blackened Thrash SHROUD Unveils The Darkness w/ Debut Album “Pax Nocturna” Out June 2026; Streaming Singles “All Creation” and “The Eternal Void”

  • May 26, 2026
  • by Asher
  • · Music News · Shroud

NEWS RELEASE

Montreal, QC – May 26, 2026

Montreal Blackened Thrash SHROUD Unveils Its Darkness w/ Debut Album “Pax Nocturna” Out June 2026

Streaming Singles “All Creation” and “The Eternal Void”

Vinyl / CD Pre-Order Available

L-R – Justin Cournoyer – Bass, Matteo Conti – Guitar and Vocals, Zack Osiris – Drums, Jordan Barillaro – Guitar

Montreal’s rising Blackened Thrash force SHROUD will release their long‑awaited debut album, “Pax Nocturna,” on June 4th, 2026, delivering a ferocious first statement forged in chaos, philosophy, and pure extreme‑metal intensity. The band has already begun their ascent with two singles, “All Creation” and “The Eternal Void”, both now streaming and showcasing the band’s blistering blend of Black, Thrash, Death, and Melodic metal.
​
Formed during the isolation of the COVID‑19 pandemic, SHROUD began when guitarist/vocalist Matteo Conti approached drummer Zack Osiris with the idea of starting a new project while the world was locked down. Despite restrictions and the stigma of even leaving the house, the pair began writing in Montreal, crafting songs week by week and discovering a shared foundation of influences and vision. By 2022, as the world reopened, the lineup solidified with Justin Cournoyer on bass and Jordan Barillaro on guitar, a chemistry that immediately felt inevitable.
​
​“Once Jordan joined after our first show, it was clear this was the real beginning of Shroud. Everything since has been a train of reckoning, writing, performing, and bonding. The four of us feel truly united in what Shroud has become,” adds Conti.
​
​SHROUD describes their sound in five words: Blackened Thrash Metal, but “Pax Nocturna” expands that foundation with elements of Death Metal, Melodic Metal, and atmospheric extremity. Fans of Watain, Dissection, Hellripper, Skeletonwitch, and Necrophobic will find themselves right at home.
​
The band expects the album to resonate strongly with extreme‑metal listeners:

“Black and Thrash are the driving forces, but we pull from Death and Melodic Metal too. It’s meant to be a ride, fast, punishing, sometimes slowing down, but always taking you somewhere while staying true to the sound of Shroud,” says Conti.
​
Lyrically, “Pax Nocturna” explores Satanic Gnosticism, existential dread, anti‑religious critique, and the darker corners of human nature. Each track dives into a different facet of the void.
​
​“It’s the rejection of imposed order and the corruption of organized religion. It’s embracing the chaos we come from, acknowledging we are our own gods and masters. It is peace within the night. It is Pax Nocturna,” adds Conti.
​
The album was primarily written by Conti and Osiris, with Cournoyer and Barillaro shaping and refining the final structures. Newer material has become fully collaborative as the band continues to evolve.
​
The album artwork reflects SHROUD’s fascination with the occult and surrealism, drawing inspiration from Yoshitaka Amano, Zdzisław Beksiński, and dark fantasy imagery. Depicting the four band members in ritualistic worship of the demonic Archduke Murmur, the piece symbolizes philosophy, music, and the band’s unified creative force.
​
​SHROUD has already carved a reputation in the Quebec metal scene for their tightness, intensity, and unrelenting stage presence, sharing stages with Exciter, Midnight, Wraith, Goatwhore, Vitriol, Necrofier, Wormwitch, Spiter, Tomarumvoid, Angelus Apatrida, and Sorguinazia.
​
​“We play with vigour and hate, but also love and determination. Our presence and delivery stand out. It’s all or nothing.”

The band is set to support Atlanta’s Tómarúm and LA’s Gudsforladt alongside locals Black Market Fossil on May 28th at Piranha Bar in Montreal. Info at https://www.facebook.com/events/2763370517331518/

May be an image of text that says 'Cateuays BateuonstoLiriaaMMXXVI to Tiridian MMXXVI VITHSPECIALGUESTS AVECINETES NSTES SHIOUD JEUDI 28 MAI À 19h30 PIRANHA BAR (SOUS-SOL) 680 STE-CATHERINE OUEST 18+ BILLET: EVENTBRITE.CA ※ELA'

and Album Release Show – June 5th at Foufounes Electriques w/ LÜGER, KATÖ et BURNING SANCTUM.

Info at https://www.facebook.com/events/1636052210962146/

May be an image of text

​Recommended for fans of Watain, Dissection, Hellripper, Skeletonwitch, and Necrophobic.

Listen to singles “All Creation” and “The Eternal Void” at the following links:

Add to your Spotify playlist – https://open.spotify.com/artist/60dzfqRWshGC9cqd0TbFIE

​All Creation – https://www.youtube.com/watch?v=m4okttHfnlg​

The Eternal Void – https://www.youtube.com/watch?v=JJ56_laldDc

​“Pax Nocturna” is due out June 4th, 2026.

CD / Vinyl – https://shroudmtl.bandcamp.com/​

Track Listing:​
1. Pax Nocturna (0:43)
2. The Eternal Void (5:09)
3. The Zealot (5:15)
4. Merciless Tyrants (5:59)
5. Darkest Night (4:45)
6. Diablivion (5:28)
7. Death Blows Over (4:18)
8. All Creation (5:29)
9. Abaddon (7:55)
Album Length: 45:05

Album and Live Band lineup:​
Matteo Conti – Guitar and Vocals
Jordan Barillaro – Guitar
Zack Osiris – Drums
Justin Cournoyer – Bass

More info:

​https://www.facebook.com/profile.php?id=100086688022343​

​https://www.instagram.com/shroud.mtl​

About: Emerging from the depths below, Shroud formed in 2022 when Conti and Osiris began writing together during the pandemic. With the later addition of Barillaro and Cournoyer, the band’s lineup solidified into a unit defined by technical skill, raw aggression, and a shared vision of darkness. Their sound, blistering riffs, thunderous drums, and vocals echoing through the void, has quickly earned them recognition as one of Montreal’s most promising extreme‑metal acts. Now, with Pax Nocturna, Shroud is ready to unleash its full power.

Album Recording Credits:​
– All songs performed by: Matteo Conti, Zack Osiris, Jordan Barillaro, Justin Cournoyer
– All songs written by: Matteo Conti and Zack Osiris
– Produced by: Shroud and Jordan Barillaro
– Mixed by: Jordan Barillaro
– Album Art by: Justin Cournoyer
– Mastered by: Tore Stjerna

-30-

​

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0 EPK – Shroud – Pax Nocturna (2026)

  • May 24, 2026
  • by Asher
  • · EPKs · Shroud

EPK – Shroud – Pax Nocturna (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The album, front to back, is structured to be a ride. Black Metal and Thrash Metal are the driving genres, but we incorporate elements of Death and Melodic Metal as well. It goes fast, sometimes it slows down, but it’s meant to be a rollercoaster of heavy metal that takes you on a journey with a bit of everything while maintaining the sound of ‘Shroud.’” – Matteo Conti – Guitar and Vocals – Shroud

For Fans of Watain, Dissection, Hellripper, Skeletonwitch, Necrophobic

Facebook.com/profile.php?id=100086688022343 | Instagram.com/shroud.mtl

Shroudmtl.bandcamp.com | Spotify

“Imagine the ferocity, the grit and attitude of ‘Power n Pain’ era Whiplash, add the nocturnal melodic majesty of Necrophobic, and then a heaping helping of D-beat (always appreciated). Vicious, limb twitchin’ and about as infectious as something you believe you might have picked up on a recent European vacation, but wish you hadn’t. Recc for fans of SkeletonWitch, Necrophobic, Hellripper and others who successfully manage to imbue ragin’ Thrash insanity with an exquisite sense of darkness. This scatches the itch, then successfully obliterates it!” 94/100 – Cult Metal Flix

“A definite early AOTY candidate with strong claims, 5 star Black/Thrash!… There’s a high amount of crushing chugging riffs across this full length and the leadwork is absolutely scorching across the board, shreddy solos with that classic heavy metal, Thrash phrasing with a few mid-paced ones thrown in that are topped off with a couple of whammy bar accents and tremolos in them. Some of these riffs just will absolutely pummel you, as they’re fast and unrelenting as hell; also, there’s one or two solos that appear in a single track too. The vocals on this aren’t just high black metal screams, but there’s creepy deep spoken word vocals, chants and a few death growls also; if you’re into absolutely groove filled Blackened Thrash then absolutely look no further than this masterpiece, absolutely don’t sleep on it, a definite AOTY contender personally. Rating: 10/10!” – Drako’s Metal Reviews

“With Pax Nocturna , SHROUD makes a striking statement that will allow them to carve out a prime spot among the new Canadian bands to watch.” – Ondes Chocs

“The debut album from the thrash/death newcomers goes hard from start to finish! Right from the opener ‘The Eternal Void’ this thing is heavy, urgent and awesome, and it keeps its momentum for its full 45-minute runtime. The fact that it’s only nine songs in that time as well means that everything gets time to breathe, and everyone in the band gets time to shine. Highlights include ‘Merciless Tyrants’, ‘Diablivion’ and the epic closer, but the whole album is great from start to finish! It certainly won’t be everyone’s cup of tea, but if you are into the heavier end of metal, this is absolutely worth a spin. The band have a bright future ahead of them, and in years to come people will look at this release as their big launching pad. 8.5/10″ – Overtone Magazine

“Shroud’s latest offering, ‘Pax Nocturna’, is a relentless onslaught of blackened thrash metal that will leave listeners in awe of its sheer intensity. The album exudes a dark and foreboding atmosphere, with haunting melodies and aggressive riffs that create a sense of impending doom. Standout tracks such as ‘The Zealot’ and ‘Merciless Tyrants’ showcase the band’s ability to seamlessly blend black metal fury with thrash metal aggression. The production quality on ‘Pax Nocturna’ is top-notch, with every instrument cutting through the mix with clarity and power. This album marks a significant progression in Shroud’s career, solidifying their position as one of the leading forces in the extreme metal scene.” – MetalStorm.com.au

““Fans of extreme metal will find a record crafted for them. It’s intense, tightly executed, and overflowing with raw energy. Its lyrical depth explores philosophy, anti‑religion, the abyss and the darkest corners of human existence. The overarching concept is Satanic Gnosticism, a rejection of imposed order and corrupt leadership, and an embrace of the chaos from which humanity originates.” – The Black Metal Archive

“With Pax Nocturna, the Montreal quartet Shroud delivers a particularly compelling debut album. From the very first notes, the band establishes a strong identity thanks to powerful riffs, inspired solos, and a constant energy that permeates every composition. The tracks are well-constructed and demonstrate a solid mastery of musical composition. The overall effect is both impactful and memorable, showcasing the musicians’ talent. Pax Nocturna serves as an excellent calling card for the band. A name to remember and a release that richly deserves the attention of metal fans.” – World Metallum QC

“Blackened Thrash Metal from the Canadian band Shroud and their newest album called ‘Pax Nocturna’. The combination of Black Metal and Thrash Metal always makes me happy, especially when done right, like this band does. Within the first few songs, they got me hooked immediatetly with their riffs, those are just so fun, addictive and heavy as Hell. It has alot of energy that is cloaked in the Blackened darkness, it fits just so well together. Especially the drums on this album are so clear and well-performed that it blew my mind actually. Vocals too, they are these Black Metal screams of anguish and rage, it’s really sickening in a good way. I could go on and on about this album but check it out for yourself, you’ll understand my hype! Rating: 9,1/10” – Evert’s Band Page Promotion

“Shroud  are  a  very  great  sounding  melodic  mixture  of  black,  death  and  thrash  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  “The  Eternal  Void”  “Darkest  Night”  and  “Abaddon”.  8  out  of  10.” – ADifferentShadeOfBlackMetalZine

Band: Shroud
Album Title – Pax Nocturna
Release date: June 4th, 2026
Label: Self-Release
Genre: Blackened Thrash Metal
Location of band: Montreal, Quebec, Canada

Track Listing:
1. Pax Nocturna (0:43)
2. The Eternal Void (5:09)
3. The Zealot (5:15)
4. Merciless Tyrants (5:59)
5. Darkest Night (4:45)
6. Diablivion (5:28)
7. Death Blows Over (4:18)
8. All Creation (5:29)
9. Abaddon (7:55)
Album Length: 45:05

Album Recording Credits:
– All songs performed by: Matteo Conti, Zack Osiris, Jordan Barillaro, Justin Cournoyer
– All songs written by: Matteo Conti and Zack Osiris
– Produced by: Shroud and Jordan Barillaro
– Mixed by: Jordan Barillaro
– Album Art by: Justin Cournoyer
– Mastered by: Tore Stjerna

Album and Live Band lineup:
Matteo Conti – Guitar and Vocals
Jordan Barillaro – Guitar
Zack Osiris – Drums
Justin Cournoyer – Bass

=========================================================

About The Album Artwork:

It’s a representation of our love and admiration for the occult. The colours themselves, the circular position of the characters involved, the full moon in the center, etc., are influenced by the dark fantasy artworks of Yoshitaka Amano and the Surreal Horror art of Zdzislaw Beksinski. There is also an element of The Lord of the Rings involved with the imagery. It’s symbolic in the sense that the 4 of us (depicted on the left) are at the worship of the Demonic Lord Murmur (on the right), who is the Archduke and Lord of Hell, representing philosophy and music.

About the album as a whole (LYRICALLY & MUSICALLY):

The overall concept of the album is Satanic Gnosticism. It’s the rejection of order and the corruption inflicted upon earth and its people by organized religions and corrupt leaders. It’s embracing the chaos that we naturally come from and acknowledging that we are sons and daughters of the black flame and born from the abyss to which we long to return. A higher form of consciousness and what lies beyond this place. It’s a fuck you to the enemies of the planet and acknowledges we are our own gods and masters, and to embrace that power for ourselves

It’s the fascination and worship of death and the beyond while rejecting what is acceptably taught to most of the world’s population.

It is peace within the night.

It is Pax Nocturna.

Track by Track:

1. Pax Nocturna
The instrumental opening of the album. It features piano and uses the two minor chords heard most often throughout the rest of the album. Meant to be thematic and draws an influence from the intro of Metallica’s ‘Blackened’.

2. The Eternal Void
We used to call this one “The Punk Song” before it was given its official title. It has an element of Punk Rock but presented in a Blackened Thrash fashion. Lyrically, it deals with existentialism and a consistent feeling of emptiness that calls to a presence referred to as ‘The Eternal Void’.

3. The Zealot
The first song Matteo and Zack wrote together. Musically, it was the birth of what would follow as Shroud’s sound. The lyrics’ subject matter is based on the Spanish Inquisition of the Medieval and Renaissance ages, and how terrifying they were towards Christians and Non-Christians alike. There were no rights and no fair trials. Basically, a witch-hunt for anyone who didn’t conform to what the Church at that time believed was the appropriate way to behave as a true Christian. ‘The Zealot’ represents one of its heads, Tomas De Torquemada, who was responsible for sending 10,000. People are unjustly sent to their deaths.

4. Merciless Tyrants
This song’s lyrics are about a Warhammer 40000 faction known as “The Necrons”. They’re an ancient, terrifying race of undead androids driven by their goal to conquer the galaxy. Known for brutal tactics and unending hordes, they are actual merciless tyrants. They have an Egyptian-like theme to them, and the song’s music represents that being heavily based on the Phrygian Scale.

5. Darkest Night
This song’s subject matter deals with the abandonment of one’s faith. Although scary to realize in oneself that there is no higher power or afterlife, there is a sense of relief and liberty in attaining true enlightenment.

6. Diablivion
A song that deals with Religious crusades conquering and colonizing lands to spread the word and faith of their god. It is done in a way that paints the crusaders as the true terrifying oppressors and is told from the perspective of those being subjected to their will.

7. Death Blows Over
A song we used to call “Fasty Thrashy” before its official title. It’s a super fast-paced, all-out assault of Thrash Metal with darker elements that give it a Black Metal vibe. It features lots of guitar solos as well. The subject matter deals with having the worst hangover you can possibly imagine.

8. All Creation
A song that’s about the formation of the Earth. Not the one in the biblical sense, but in the more scientific reality-based version of the Planet forming from dust and debris, being constantly pummeled by asteroids that would eventually form its shape and would cool to have Oceans and Continents.

9. Abaddon
A song about mortality, its subject is about how all things are destined to die, and we do it in a symbolic way through the perspective of one of the lords of Hell, Abaddon. It’s the slowest and longest song on the record, and makes its way to an outro we felt fitting to tie the finale together for Pax Nocturna.

L-R – Justin Cournoyer – Bass, Matteo Conti – Guitar and Vocals, Zack Osiris – Drums, Jordan Barillaro – Guitar

Emerging from the depths below, Shroud is set to make their full-length debut with ‘Pax Nocturna.’

Formed in 2022 by Guitarist/Vocalist Matteo Conti and Drummer Zack Osiris, the band quickly solidified its lineup with the addition of Jordan Barillaro on Guitar and Justin Cournoyer on bass. Each member brought a blend of technical prowess and raw intensity, setting the stage for Shroud’s relentless sonic assault.

Drawing inspiration from the bleak and obscure corners of existence, Shroud embarked on their musical journey, crafting compositions that reflect the darkness and chaos of the human psyche. Their sound, characterized by blistering riffs, thunderous drums, and raspy vocals that echo through the void, resonates deeply within the metal community. Overall, the general perception of the band would be closest to the style of Blackened Thrash Metal.

After honing their craft through intense and electrifying live performances in the Quebec music scene, Shroud is set to unleash their debut album ‘Pax Nocturna’ on June 4th, 2026.

Discography:
2026 – Pax Nocturna (LP)
2024 – The Eternal Void (Single)
2025 – All Creation (Single)

SHARED STAGE WITH:
Exciter, Midnight, Wraith, Goatwhore, Vitriol, Necrofier, Wormwitch, Spiter, Gudsforladt, Tomarumvoid, Angelus Apatrida, Sorguinazia

TOURS AND FESTIVALS
2026 – Speed Trap vol 2, Montreal, CA
2024 – Woods of Gallows V, New York, USA

0 !earshot The National Loud Chart For the Week Ending: Tuesday, May 19, 2026 | CFOU 89.1 MHz – Trois-Rivieres Loud #9 – Thunderor | CFOU 89.1 MHz – Trois-Rivieres Top 30 #7 Thunderor

  • May 22, 2026
  • by Asher
  • · radio charts · Thunderor

!earshot
The National Loud Chart

For the Week Ending: Tuesday, May 19, 2026

CFOU 89.1 MHz – Trois-Rivieres
Loud #9 – Thunderor

https://earshot-online.com/charts/cfou.cfm?intChartTypeID=6&dWeekOfID=2026-05-19

CFOU 89.1 MHz – Trois-Rivieres
Top 30 #7 Thunderor

https://earshot-online.com/charts/cfou.cfm?dWeekOfID=2026-05-19

0 Australia’s GREYSTONE CANYON Shares Claymation Cover Video of LED ZEPPELIN Classic “Immigrant Song”

  • May 22, 2026
  • by Asher
  • · Greystone Canyon (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – May 22, 2026

Australia’s GREYSTONE CANYON Shares Claymation Cover Video of LED ZEPPELIN Classic “Immigrant Song”

New Album “Something Borrowed…Something New” Out Now!

Australian hard rockers Greystone Canyon unleash their explosive take on the legendary Led Zeppelin classic “Immigrant Song”, delivering the iconic anthem with raw power, grit, and unapologetic attitude.

The track is taken from the band’s third full-length album “Something Borrowed…Something New”, a record that perfectly captures the authentic spirit of Greystone Canyon: loud, direct, and fiercely organic. Recorded live in a single room without click tracks, heavy editing, or digital manipulation, the album embraces the timeless energy of classic rock records where feel and performance mattered more than sterile perfection.

Rather than reinventing the song, Greystone Canyon chose to honor its primal energy while injecting its own hard-hitting approach into the performance. The result is a version that feels immediate, visceral, and alive, staying true to the essence of the original while carrying the band’s unmistakable personality.

Accompanying the release is a completely handcrafted official video built around a striking claymation concept. Staying true to the album’s old-school philosophy, the animation features plasticine characters and construction-paper backgrounds, with every frame individually photographed to recreate an epic, Viking-inspired journey that perfectly matches the relentless drive of the track.

Claymation characters & animation: Dumindu
​Mixed & mastered by: Joel Taylor

Watch the claymation cover video at https://www.youtube.com/watch?v=OKcuHv8BU8I

“Something Borrowed…Something New” combines reimagined classics with brand new original material, creating a record that balances nostalgia, personality, and pure rock energy. It’s an album built on honesty, instinct, and the kind of human performance that modern productions often forget.

For fans of Led Zeppelin, Ozzy Osbourne, and Thin Lizzy.

“Something Borrowed… Something New” was released on December 5th, 2025, from Rockshots Records and is available on all major streaming platforms and physical formats.

CD – https://rockshots.eu/products/greystone-canyon-something-borrowed-something-new-cd​

Add to your Spotify playlist – https://open.spotify.com/album/1ZyEq4kWkhDg6RnzCbGKJj

​

Track Listing:
​
1. Doctor, Doctor (UFO cover) – 04:16
2. Just Got Paid (ZZ Top cover) – 03:35
3. Drives Us – 05:06
4. Immigrant Song (Led Zeppelin cover) – 02:21
5. Friend of the Fox – 03:57
6. Suicide (Thin Lizzy cover) – 05:14
7. Hey, Hey, My, My (Into the Black) (Neil Young cover) – 03:22
8. AAF – 1:47
9. Stealing Our Freedom – 04:26
Album Length: 33:54

More info: Rockshots.eu | Facebook.com/greystonecanyon | Instagram.com/greystonecanyon_official​

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“An honest record for sure, Something Borrowed…Something New could gain favor for Greystone Canyon as there’s something so timeless about this style. It’s the type of record that enhances your love of heavy music as well as the versatility that has been there since the 70s.8.5/10” – DeadRhetoric

“My take on the album: May people have wondered who will replace AC//DC as the next Hard Rock/Metal band with heavy blues in their music. Greystone Canyon is the answer. Remember the name these guys are going places. Every member of the band have mastered their skills and is a tight unit that complement each other. This a belter of an album. Nothing less than the perfect 10 would do justice to the album.” – Project Metal Music

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0 Out Now! EMBRACE OF SOULS’ New Concept Album “Battle of the Dead”; Streaming New Visualizer “Eversun”

  • May 22, 2026
  • by Asher
  • · Embrace of Souls (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – May 22, 2026

Out Now! EMBRACE OF SOULS’ New Concept Album “Battle of the Dead”; Streaming New Visualizer “Eversun”

Embrace Of Souls proudly unveil “The Battle Of The Dead“, the band’s new full-length album and most ambitious work to date, together with the release of the new focus track “Eversun,” further supported by a brand new Official Visualizer. Following the momentum generated by the previously released singles “Desolate Lands” and the album’s title track “The Battle Of The Dead”, the Italian power metal force pushes its artistic vision even further, delivering a record where epic storytelling, symphonic grandeur, and classic European power metal converge into a cohesive and emotionally charged listening experience.

Conceived as an 11-track fantasy concept, “The Battle Of The Dead” unfolds across a medieval world fractured into rival kingdoms where a mysterious plague begins corrupting human souls and slowly drags the continent toward an inevitable war between the living and the dead. Rather than unveiling every detail of the storyline, the band deliberately preserves the narrative’s mystery, inviting listeners to discover its deeper meaning through the interplay between music and lyrics. Themes of power, betrayal, sacrifice, and hope permeate the album, shaping a journey designed to be experienced in its entirety.

Musically, “The Battle Of The Dead” marks a decisive step forward for Embrace Of Souls. Firmly rooted in the legacy of ‘80s and ‘90s heavy and power metal while embracing the epic and symphonic scope of early-2000s European metal, the album delivers a sound that is both commanding and emotionally resonant. Driving guitar work, relentless double-kick rhythms, layered keyboards, and expansive choral arrangements form the backbone of the record, while the dynamic interplay between Giacomo Rossi’s powerful lead vocals and Martina Mazzeo’s operatic performances elevates the material with additional depth, contrast, and theatrical intensity.

Among the album’s standout moments is “Eversun”, the new focus track released alongside the album. Perfectly encapsulating the duality that permeates the entire record, the song balances darkness and melody through a powerful blend of energetic power metal, symphonic textures, and emotionally driven vocal arrangements. Defined by its dynamic pacing, triumphant melodic direction, and dramatic atmosphere, “Eversun” highlights the band’s increasingly mature songwriting approach while preserving the epic spirit that has characterized Embrace Of Souls since its inception.

Founded by drummer and composer Michele Olmi, Embrace Of Souls originally emerged as a studio project created to unite talented Italian musicians under a shared passion for classic heavy and power metal. Over time, the project evolved into a fully established live band, steadily refining its artistic identity while sharing the stage with renowned acts such as Stratovarius, Sonata Arctica, and Rhapsody of Fire.

The album also features a special guest appearance by Morby (Domine), further strengthening the connection with the most authentic tradition of Italian power metal.

The record showcases a particularly refined production, enhanced by the mix and mastering handled by Alessio Garavello at Rogue Studios in London, bringing out both the album’s powerful rhythmic impact and its rich melodic and symphonic atmosphere.

With “The Battle Of The Dead“, Embrace Of Souls deliver their strongest and most complete statement to date: a record conceived not merely as a collection of songs but as a fully interconnected musical and narrative experience where epic power metal, symphonic atmospheres, and emotionally charged storytelling merge into a world waiting to be discovered.

Watch the video – Eversun: https://www.youtube.com/watch?v=eMmtIjk-nHg

​

and previous videos:

Music Video – Desolate Lands – https://www.youtube.com/watch?v=8TS0sF6CQ2s

​

Music Video – The Battle Of The Dead – https://www.youtube.com/watch?v=4UivMmjBSIY

​

“The Battle Of The Dead” releases today, on May 22nd, 2026, in digital format and digipak CD edition, and will be available to be ordered at the following links:
​
CD DIGIPAK: 
https://rockshots.eu/products/embrace-of-souls-the-battle-of-the-dead-cd​
​DIGITAL: https://lnk.to/kwCVof​
​
​OFFICIAL MERCH: https://embraceofsoulsband.bigcartel.com/

For fans of: Rhapsody Of Fire, Stratovarius, Sonata Arctica, Nightwish.
​
​RELEASE PARTY: MAY 30th, 2026​
Embrace Of Souls will present The Battle Of The Dead live at La Cripta Club (Cusano Milanino, Italy), alongside Derdian, Drakkar and Axe Blade.

Track Listing:​
1. The Battle Of The Dead
2. Eversun
3. The Plague
4. The Gathering
5. Spine
6. Who Can Save Us
7. Betrayal
8. The Dark Lord
9. The War (feat. Morby)
10. Sacrifice
11. Desolate Lands
​
​Line-up:​
Giacomo Rossi – Vocals
Martina Mazzeo – Vocals
Edward De Rosa – Guitars
Xavier Rota – Bass
Davide Baldelli – Keyboards
Michele Olmi – Drums

More info: ​
​​https://www.rockshots.eu​

​https://www.instagram.com/embraceofsouls/​

​https://www.facebook.com/embraceofsoulsofficial/​

BIOGRAPHY:

Embrace Of Souls is an Italian power metal band founded by drummer and composer Michele Olmi, conceived with the aim of bringing together talented musicians around a shared vision rooted in collaboration, brotherhood, and a deep passion for classic metal. Initially born as a studio project, the band took shape with the release of their debut album “The Number Of Destiny” in 2021, receiving positive feedback on an international level and notable acclaim in Japan.

Drawing inspiration from ’80s and ’90s heavy and power metal, as well as the epic and symphonic metal of the early 2000s, Embrace Of Souls developed a sound characterized by powerful riffs, epic atmospheres, and strong melodic sensibility. Over time, the project evolved into a full live band, allowing the group to further consolidate its artistic identity and deepen its expressive range.

In 2024, Embrace Of Souls returned with their second full-length album, “Forever Part Of Me,” marking a significant step forward in terms of maturity and songwriting. This phase also introduced important changes within the line-up, bringing renewed energy and a broader musical perspective to the band’s sound.

A key element of this evolution is the current vocal pairing. Giacomo Rossi, already involved in previous releases, now takes on a central role as lead vocalist while Martina Mazzeo, an accomplished soprano vocalist, adds a symphonic and operatic dimension to the band’s music. Together, their voices embody the duality that defines Embrace Of Souls: light and darkness, power and elegance, intensity and emotion.

Having shared the stage with renowned acts such as Domine, Vision Divine, Stratovarius, Sonata Arctica, and Rhapsody Of Fire, Embrace Of Souls continue to refine their identity while looking toward the future. The band is now working on new material, further developing their epic and narrative-driven approach to solidify their presence on the international power metal scene.

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​
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0 WITHOUT MERCY Unleash Lyric Video “The Saint” From New EP “Infinite Loss” Out Now!; Produced by John Douglass (Alluvial, Nile, Nekrogoblikon)

  • May 21, 2026
  • by Asher
  • · Music News · Without Mercy

NEWS RELEASE

Montreal, QC – May 21, 2026

WITHOUT MERCY Unleash Lyric Video “The Saint” From New EP “Infinite Loss” Out Now!

Produced by John Douglass (Alluvial, Nile, Nekrogoblikon)

Top – L -R – Alex Friis – Vocals, Matt Helie – Drums, Ryan Loewen – Bass
Bottom – DJ Temple – Guitars
Photo Credit: Shimon Photo – www.shimonphoto.com

Vancouver extreme metal unit Without Mercy has released the brand‑new lyric video for “The Saint,” the latest visual chapter supporting their newly issued EP “Infinite Loss.” The track follows the band’s earlier lyric video for the EP’s title track and the previously revealed singles “Glass” and the official music video for “The Saint.”​
​
​“The Saint” marks one of the most significant creative departures in Without Mercy’s catalogue, a song shaped through deep collaboration between the band and their producer John Douglass (Alluvial, Nile, Nekrogoblikon), built on tension, space, and unfamiliar structure.
​
“The Saint represents the furthest departure from our usual writing approach. It came from a willingness to step back and let someone we trust help guide the process… Instead of discarding our roots, it tests their flexibility, exploring how far they can be stretched before they break,” adds guitarist DJ Temple.
​
Released May 8th, 2026, “Infinite Loss” captures Without Mercy at their most focused, intentional, and uncompromising. Written during a period of instability and recorded after uprooting their lives to track the EP abroad, the record documents a band choosing discomfort, honesty, and discipline over convenience.
​
The EP’s three tracks, “Infinite Loss,” “The Saint,” and “Glass”, were selected not as singles, but as statements. Each survived months of scrutiny, revision, and collective challenge.
​
​“This record exists because we chose to be uncomfortable, to argue honestly, and to stay in the room until it felt right… It is focused, intentional, and real. These songs document a short, intense window of our lives where commitment mattered more than convenience and honesty mattered more than expectation,” says Temple.
​
Lyrically, “Infinite Loss” is about being hunted, not by a single antagonist, but by the relentless pressures of modern life: economics, identity, time, and survival. The threat shifts, but never disappears.
​
Musically, the EP mirrors that tension through weight, repetition, and restraint. Riffs sit and suffocate. Rhythms feel deliberate and physical. Aggression is controlled rather than explosive.
​
The artwork, created in collaboration with artist Diego Gedoz de Souza, reflects this emotional core: a desolate forest, a massive void carved into the earth, stillness above and violence below, a visual entry point into the EP’s world.
​
​Without Mercy was formed in 2007, blending groove, extreme metal, and technical precision into a sound described as “heavy and insightful at the same time.” The band has shared stages with Cattle Decapitation, Aborted, and Death Angel, and has appeared as downloadable content in Rock Band 3, bridging gaming culture and heavy music.

Their discography includes “All Else Fails” (2007), “Without Mercy” (2009), “Reborn” (2014), rereleased as “Mouichido” (2016), and “Seismic” (2020). “Infinite Loss” marks their most focused and intentional work to date, a release built from collapse, rebuilt through discipline, and finished with absolute conviction.

Recommended for fans of Meshuggah, Gojira, Decapitated, Alluvial, and Pantera, experience the new lyric video for “The Saint” via TheCirclePit YouTube channel at https://www.youtube.com/watch?v=4O54Lr9G6ug

​Music Video – The Saint – https://www.youtube.com/watch?v=Le9wnFk5vzM​

Lyric Video – Glass – https://www.youtube.com/watch?v=C7Ub18HjM_w

​Listen to the full EP “Infinite Loss” on all digital platforms at https://ffm.to/infiniteloss

Track Listing:​
1. Infinite Loss – (4:15)
2. The Saint – (3:39)
3. Glass – (3:16)
EP Length: 11:11

EP and Live Band Line Up:​
Alex Friis – Vocals
DJ Temple – Guitars
Ryan Loewen – Bass
Matt Helie – Drums

More info:

​https://www.withoutmercyband.com/

​https://www.facebook.com/withoutmercyband​

​https://www.instagram.com/withoutmercyband​

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“The music was excellent…a potent mixture of aggression and technical precision. Now that I can taste them, I am very much looking forward to a full length from the band.” – Metal-Temple​
​
​““The Saint” is somehow both maniacal and controlled. In its opening couple of minutes it seems to be a carefully calibrated convulsion, discharging its myriad sensations in quick stop-start bursts of seemingly off-kilter but tightly executed mayhem. Those sensations include sledgehammer rhythmic brutishness, shrill and spidery fretwork-delirium, and napalm-strength vocals. The grooves are there — grooves of differing kinds — but they quickly jackhammer listeners in the midst of harrowing howls, scorching screams, and a multitude of fleet-fingered but berserk and discordant string contortions. Moreover, at the 2:18 mark the song suddenly and dramatically changes — indeed, it’s difficult to overstate just how dramatic the change is. In place of all the frenetically bursting frequencies the lead guitar gently rings and seductively warps above gravel-toned bass-lines and steady beats, an interlude that brings hints of jazz fusion to mind. That’s just a quick breather before the song’s intensity blazes again, and yet the segue back into the finale of bludgeoning grooves and squirming guitars is a smooth and near-seamless one.” – No Clean Singing
​
“WITHOUT MERCY With this release they position themselves clearly in the intersection of death metal, groove and metalcore, without completely submitting to any of these genres. The band uses elements of these directions to develop their own language that relies on suspense rather than classic hooks. Conclusion: WITHOUT MERCY succeeds with »Infinite Loss« an impressive statement in the field of death/groove metal, metalcore. 4/5” – Metal Underground Austria
​
​“the controlled aggression and delicious grooves of title track “Infinite Loss” gradually ramp up in their intensity, creating a sense of slow suffocation before the riffs subside to allow for a technical solo of the highest order from DJ Temple. A powerful statement piece that flows in wave like patterns through dark moods, the sonic weight of the music conveys the message without the need for the harsh vocals from Alex Friis. That’s not to say his words are superfluous; on the contrary, they’re the fuel for the fire as the world burns.” – Metal Noise​
​
​“we hear a solid force coming through, where riffs are the main ingredient, alongside a brutal and aggressive-sounding voice.” – Musika

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0 IRON KINGDOM’s New Video Opens The “Deadhouse Gates” Ahead of Sixth Album “Shadows and Dust” Out June 2026 + Cross Canada Tour Dates

  • May 21, 2026
  • by Asher
  • · Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – May 21, 2026

IRON KINGDOM’s New Video Opens The “Deadhouse Gates” Ahead of Sixth Album “Shadows and Dust” Out June 2026

Sixth Album “Shadows and Dust” Out June 6th, 2026 via Steel Shark Records

Headline Hometown Show in Vancouver + Cross Canada Tour! and Armstrong Metal Fest, Loud As Hell Open Air Fest

L-R – Max Friesen (Drums), Leighton Holmes (Bass), Chris Osterman (Lead Vocals / Lead Guitar), Megan Merrick (Lead Guitar),

Photo Credit – Cailin Haley

​Vancouver, Canada’s purveyors of heavy metal Iron Kingdom, are charging forward with the next chapter of their upcoming sixth studio album, “Shadows and Dust,” and unveiling their third single and music video, “Deadhouse Gates”.
​
​“Deadhouse Gates” follows the album’s first two singles, “Defenders” and “Blood and Steel,” continuing to showcase the band’s blend of classic heavy metal power, epic storytelling, and electrifying musicianship.
​
Bassist Leighton Holmes offers a deep look into the single’s literary inspiration:
​
​“Deadhouse Gates is based on Malazan Book of the Fallen by Steven Erikson. The Deadhouse is a seemingly abandoned house in Malaz City that serves as a conduit to other planes of existence and is used by two mortals to ascend to godhood as rulers of Shadow. The song tells the story of ancient power waiting for those worthy, or crafty, enough to gain entry, but warns of the dangers presented to the unprepared. Straying from the path means an eternity of torment and imprisonment, but the chance for power is enticing. The dead trees scattered across the yard of the house hide those that are unsuccessful in their roots. It is a cautionary tale of reach exceeding grasp as well as an inspirational story of striving towards greatness.”

Frontman Chris Osterman adds:
​
​“This one is just a total rock n’ roll song, some great leads and melodies, and just overall, I think very catchy!”​
​
Watch and listen to the video for “Deadhouse Gates” at https://www.youtube.com/watch?v=zBE3s4WRlIw

​Add to your Spotify playlist – https://open.spotify.com/track/5YtmnaBqfbJkUBa4s4N42d​

​
​“Shadows and Dust” marks a major milestone for Iron Kingdom: their 15th anniversary and their first release under their new label partnership with Steel Shark Records (France), who will offer an exclusive EU edition limited to just 300 double‑CD copies. Disc 1 will contain the full “Shadows and Dust” album, while Disc 2 will feature a “Best Of” collection highlighting tracks from Iron Kingdom’s previous five releases. In addition, the label will introduce a third vinyl colour (100 copies) available only to EU fans. The album arrives June 6, 2026, coinciding with the 82nd anniversary of D‑Day, a symbolic date the band intentionally chose.
​
Recorded entirely in their newly completed home studio, the album explores themes of mortality, hardship, perseverance, and the search for meaning. Osterman describes the emotional weight behind the record:
​
​“This album plays in quite a dark realm of topics… but I also think that’s exactly what will make this album accessible to people going through tougher times… The music shows hope for a positive way out, and hopefully offers the listener the will to fight on.”​
​
​Iron Kingdom will celebrate the album with their biggest hometown headliner yet at Vancouver’s iconic Rickshaw Theatre on June 5, 2026. Info – https://orangetickets.ca/detalles_evento.php?id_evento=2127​
​
​“To feel in some way that we have worked our way up to headline a venue of that size is very exciting, and we cannot wait to bring our biggest show yet!”​
​
Following the album’s release, Iron Kingdom will hit the road across Western Canada (dates listed below) with confirmed festival appearances at Armstrong Metal Fest and Loud As Hell Open Air Festival.

True North Strong And Heavy Canadian Tour – Iron Kingdom, W.M.D.​
​https://www.iron-kingdom.com/tour-dates​
June 5 – Vancouver, BC – The Rickshaw
July 2 – Nanaimo, BC – The Globe
July 3 – Victoria, BC – Lucky Bar
July 4 – Cumberland, BC – The Waverley
July 5 – Powell River, BC – The Carlson Loft
July 17 – Armstrong, BC – AMF 2026
July 21 – Prince George, BC – Knox Performance Centre
July 23 – Whitehorse, YT – Lefty’s Well
July 24 – Dawson City, YT – The Pit
July 25 – Dawson City, YT – The Pit
July 26 – Whitehorse, YT – The 98 Hotel
July 28 – Yellowknife, NT – The Underground
July 29 – Fort Smith, NT – Dirty O’ Fergie’s
July 30 – Edmonton, AB – Starlite
July 31 – Drumheller, AB – LAH 2026
Aug 1 – Winnipeg, MB – Park Theatre
Aug 2 – Thunder Bay, ON – Bloom Bar + Lounge
Aug 3 – Sudbury, ON – The Lounge 390
Aug 4 – London, ON – Supply & Demand
Aug 5 – Waterloo, ON – Maxwells
Aug 6 – Ottawa, ON – Dominion Tavern
Aug 7 – Toronto, ON – Bovine
Aug 8 – Montréal, QC – Foufounes Électriques
Aug 9 – Sherbrooke, QC – Le Murdoch
Aug 11 – Woodstock, NB – Monteith Manor
Aug 12 – Halifax, NS – Gus’ Pub
Aug 14 – Corner Brook, NL – Retro
Aug 15 – St. John’s, NL – The Rockhouse
Aug 17 – Truro, NS – Marigold Cult. Centre (Lobby)
Aug 18 – Quebec City, QC – L’Anti
Aug 19 – Hamilton, ON – Doors Pub
Aug 21 – Saskatoon, SK – Black Cat Tavern
Aug 22 – Calgary, AB – Dicken’s
Aug 23 – Kelowna, BC – Jackknife Brewing

Formed in 2011 in Vancouver, Iron Kingdom carries the flame of classic heavy metal inspired by Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush. Known for their high‑energy performances, intricate twin‑guitar work, and unwavering DIY ethos, the band has toured extensively across Canada, the USA, Europe, and Brazil, sharing stages with Night Demon, Blaze Bayley, and more.
​
Their discography includes “Curse of the Voodoo Queen” (2011), “Gates of Eternity” (2013), “Ride for Glory” (2015), “On the Hunt” (2019), and “The Blood of Creation” (2022). “Shadows and Dust” marks the next chapter in their evolution, an album that blends old‑school metal spirit with fresh energy and emotional depth.

Album pre-order (release date June 6th, 2026) available at the following links:

Official Merch store: https://www.iron-kingdom.com/shop​
Bandcamp: https://iron-kingdom.bandcamp.com/music​

Music Video – Defenders – https://www.youtube.com/watch?v=t3k7tW5-9Os

​

Lyric Video – Blood and Steel – https://www.youtube.com/watch?v=qb8BIzHT3_Q

​

Track Listing:
​
1. Defenders
2. Eternal Emperor
3. Dreamless Sea
4. Deadhouse Gates
5. Line Of Fire
6. Blood And Steel
7. Shadow Of Time
8. Dark Demands
9. Starlight
10. Sacred Fire

For more info:
​
https://www.iron-kingdom.com​
​https://www.facebook.com/ironkingdomofficial​
​https://www.instagram.com/iron_kingdom​
​

– 30 –

“Ten tracks leading to a beautiful journey you will wish to live forever. A masterpiece to own with pleasure. Iron Kingdom has arrived on the stardom stairs, and it’s worth it 100/100.” – The Metal Mag

“the entire album is rock-solid from start to finish. If you call yourself a metal fan, this is a mandatory addition to your playlist.” – Broken Neck Radio

“If you only have one selection to convince someone whether they should invest time/money/effort into Iron Kingdom, play them “Shadow Of Time” as it locks into the classic sound they do so well. Winner!” – Mark Gromen – Bravewords

“Iron Kingdom has really taken their stance with hard rock and heavy metal to a standstill, packed with amazement and shining glory in all of its wonder, but making sure the two genres between the NWOBHM and thrash eras are kept in their mighty epic book of ingredients to keep you coming back for more. What can I say? Shadows and Dust is the album we’ve been waiting for this upcoming summer of 2026.” – Echoes and Dust​
​
​“After countless tours, line-up changes and even after a serious accident, IRON KINGDOM seem stronger today than ever. With ‘Shadows And Dust’ they deliver exactly the album that traditionalists have been longing for for years. Powerful, melodic, anthemic and rousing, full of great guitar moments and an honest passion for classic heavy metal. If you love IRON MAIDEN, RIOT, HELLOWEEN or SAVATAGE, you should definitely grab it here. The release in all formats as well as via “Steel Shark Records” with vinyl for collectors also fits in with this.” – Saitenkult

“Iron Kingdom’s sixth full-length continues the band’s upward trajectory in a way that is both concise and still varied. Every track has just enough difference between to make them all stand out from one another, while never feeling like they belong to a different artist. 2022’s “Blood of Creation” was an absolute clinic in modern metal perfection, and it would always be a tough act to follow but Iron Kingdom did so with gusto. Masterfully produced and even better performed, “Shadows and Dust” is one of the years best.” – The NWOTHM

“If you enjoy classic heavy metal and want more of that timeless sound, then ‘Shadows and Dust’ will feel very familiar in a good way… it is honest, energetic, and enjoyable from start to finish.” – AfterNoiz
​
​
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0 Canada’s Mock‑Rock Cult Heroes SONS OF BUTCHER Unveils Raunch-Fueled Video “Steeltown Handy” Off New EP “Skids”

  • May 20, 2026
  • by Asher
  • · Music News · Sons of Butcher

NEWS RELEASE

Montreal, QC – May 19, 2026

Canada’s Mock‑Rock Cult Heroes SONS OF BUTCHER Unveil Raunch-Fueled Video “Steeltown Handy”

New EP “Skids” Out Now!

L-R – Doug Borski – Bass/Vocals, Joey Salami – Guitar, Crissy Stixx – Drums, Ricky Butcher – Lead Vocals/Guitar

Photo Credit – Evan Thompson

Canada’s cult mock‑rock legends Sons of Butcher have dropped the brand‑new music video for “Steeltown Handy,” the latest visual installment supporting their newly released EP “Skids,” released this past March 2026. The video continues the band’s expanding skid‑rock universe, following the recent singles “Peppercorn Steak,” “Denim Dreamin’,” and “Makin’ Bacon.”​
​
A pop‑leaning rocker soaked in grit, grime, and Sons of Butcher’s trademark raunch‑comedy charm, “Steeltown Handy” dives into the underbelly of Hamilton’s streets with a chorus built for shouting along. The video leans fully into that world, equal parts sleaze, satire, and skid‑life sincerity, delivering a visual companion as catchy and unhinged as the track itself.
​
​“This EP marks the first time we’ve written songs that aren’t tied directly to the cartoon storyline. Except for ‘Peppercorn Steak,’ these songs come straight from our grease‑clogged hearts. ‘Steeltown Handy’ is pure skid‑anthem energy, wrong in all the right ways,” says frontman Ricky Butcher. ​
​
​
Released on March 27, 2026, “Skids” marks Sons of Butcher’s first major collection since 2020’s “Lockdown in Steeltown” and their first full creative surge since reuniting after a decade‑long hiatus. Produced by longtime collaborator Jordon Zadorozny at Skylark Park, the EP showcases a sharper, more polished version of the band’s signature absurdity.
​
The four‑track EP includes 4 tracks, “Denim Dreamin’,” a socially acceptable ode to denim culture. “Makin’ Bacon”, a metal‑forward bacon‑worshipping anthem. “Steeltown Handy”, a pop‑rock banger about desperation deals in the gritty city. “Peppercorn Steak” is a fully realized studio version of a fan‑favourite cartoon‑era track. The EP also features drumming by Kellii Scott (Failure), completing a full‑circle moment for the band’s long‑running creative lineage.
​
Born from their Teletoon animated series, Sons of Butcher fuse absurdist comedy with heavy rock in a proudly self‑proclaimed genre: mock rock. Known for spandex, pepperette‑throwing, chaotic stage antics, and butcher‑shop‑bred humour, the band has built a cult following across Canada.
​
With “Skids,” Sons of Butcher aren’t just back, they’re carving forward with their most polished and unfiltered work to date.

Watch the video for “Steeltown Handy” at https://www.youtube.com/watch?v=b2ki1ioWm6A

Recommended for fans of Tenacious D, Spinal Tap, Psychostick, and Steel Panther, “Skids” (released March 27th, 2026) is available at the following links:

Add to your Spotify playlist – https://open.spotify.com/album/7M0suHkgLiADLzbMXegRjV​

Bandcamp (CD and Digital) – https://sonsofbutcher.bandcamp.com/album/skids​

Music Video – Makin’ Bacon – https://www.youtube.com/watch?v=4lnsb7uWp4g​

Music Video – Denim Dreamin’ – https://www.youtube.com/watch?v=iZNUtzaO8IY​

Music Video – Peppercorn Steak – https://www.youtube.com/watch?v=9tMsBq0GvGg​

Track Listing:​
1. Denim Dreamin’ – (3:05)
2. Makin’ Bacon – (2:37)
3. Steeltown Handy – (2:21)
4. Peppercorn Steak – (1:42)

EP Line Up:​
Ricky Butcher – Lead Vocals, Guitar
Doug Borski – Vocals, Bass
Kellii Scott – Drums
Jordon Zadorozny – Lead Guitar
Brandon Wars – Lead Guitar

Live Band Line Up:​
Ricky Butcher – Vocals, Guitar
Doug Borski – Vocals, Bass
Crissy Stixx – Drums
Joey Salami – Lead Guitar

More Info:

​https://www.sonsofbutcher.ca/​

​https://www.facebook.com/therealsobs​

​https://www.instagram.com/therealsobs/​

-30-

“You can have fun with the SONS OF BUTCHER… solid entertainment awaits you.” – PowerMetal.de (Skids – 2026)
​
““Skids” is a raw, four‑track eruption of cheap‑meat swagger and skid‑life grit” – Music Life Magazine (Skids – 2026)
​
“Sons of Butcher return meatier than ever… Unlike many novelty acts, Sons of Butcher proved they had the chops to back up the joke. Fronted by Trevor Ziebarth as Ricky Butcher, the band transformed the cartoon’s crude comedy into a live show filled with spandex, shredded guitar riffs, flying pepperettes, and an onstage meat-tray ritual that has become a bizarre but beloved tradition. Musically, their sound lands somewhere between classic metal, power-pop hooks, and full-throttle comedy rock, often compared to acts like Tenacious D, Steel Panther, Spinal Tap, and Psychostick.” – Hamilton City Magazine (Skids – 2026)
​
“Originally born from a school project and catapulted into the mainstream via their own animated series, the band has spent over two decades crafting what they call “comedic ear-worm riff rock.” – Switching Styles
​
“The band haven’t lost their touch for “mock rock” absurdity, swinging from the denim-soaked bounce of “Denim Dreamin’” to the gritty swagger of “Steeltown Handy”…. If you’re a fan of Tenacious D, Psychostick, or Steel Panther, you’ll want to get this one on your radar. ” – Moshville Times
​
“Keeping with the butcher theme, the band played its fair share of meat-themed tunes such as “Beef & the Chicken” and “Makin’ Bacon” during their high energy set, alongside fan favourites like “Fuck the Shit”, “We Fuckin’ Rule,” and of course, “Sons of Butcher Theme,” all of it delivered with the proper big, dumb rock ‘n’ roll attitude and absolutely zero subtlety. Steeltown skids represent!” – Panic Manual (Live Review – Toronto 2026)
​
“However one slices it, SONS OF BUTCHER’s long-awaited comeback only further prove that good entertainment has no expiry date.” – KNAC (Live Review – Ottawa 2026)
​
“After a ten year hiatus, the rock behind Teletoon’s cult animated series, is back as Sons of Butcher release a new 4-track EP, “Skids”. The riffs, thunderous percussion and lyrics are designed to put fun back in rock and that they do. Tracks like ‘Makin’ Bacon’, ‘Steeltown Handy’ and ‘Denim Dreamin” are built for a party and a great reminder that rock should never take itself too seriously. So if you’re lookin’ for a good time listen up for Sons of Butcher on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll (Skids – 2026)
​
“Be careful, be careful, these Canadians are downright crazy and it starts to show as soon as you look at the cover. They do a crazy ’ Rock n’ Roll fuckin, crazy, humorous, delirious… this EP, well, that’s it, big fuckin’ madness. «Makin’ Bacon», for example, is hilarious, while sending the Caribou to play in the woods. This EP by SONS OF BUTCHER is a big slice of good humor, made by musicians who don’t take themselves seriously. Despite the weather, these guys are still crazy…. A CD for fans of ULTRA VOMIT, NANOWAR OF STEEL and others, in short for fans of joyful Metal. And that gives 4 titles for 4 peaks ! Personally, I’m really a customer.” – WTR Mag (Skids – 2026)
​
“In its brief runtime, Skids delivers a clear statement: the band hasn’t lost its grit, just sharpened it… Sons of Butcher embraces its original spirit with honesty, energy, and unapologetic attitude… Skids finds meaning in the space between parody and authenticity, where the band has always thrived.” – FirstWave Radio (Skids – 2026)
​
“Sons Of Butcher prove that after all these years they are still masters at combining sleazy rock, chaos, and pure fun. Anyone who loves dirty guitars, rattling rock, and a hefty dose of self-mockery is in the right place here. The gas pedal stays pressed – and fortunately so.” – Musika (Skids – 2026)
​
““Skids” stands out as a release with a clear entertainment-driven focus… an immediate and thoroughly enjoyable listening experience.” – MetalWar (Skids – 2026)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 AITTALA Unleash New Performance Video “Blacklisted,” the First to Feature New Bassist Dane Taylor + Tour Dates (WV, VA, TN, NC)

  • May 19, 2026
  • by Asher
  • · Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – May 19, 2026

AITTALA Unleash New Performance Video “Blacklisted,” the First to Feature New Bassist Dane Taylor

+ Tour Dates (WV, VA, TN, NC)

New EP “Ill-Gotten Gains” Out Now via Exitus Stratagem Records

AITTALA Lineup – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Dane Taylor (Bass)

AITTALA (pronounced EYE‑tah‑la) has released the official performance video for “Blacklisted,” the third track from their second EP of 2025, “Ill‑Gotten Gains,” out now on Exitus Stratagem Records.
​
The clip marks a milestone for the long‑running metal project; it is the first video to feature new bassist Dane Taylor, joining Eric Aittala (guitars/vocals) and Gary “Zeus” Smith (drums). The trio’s chemistry is on full display, delivering a tight, groove‑driven performance that captures the grit and weight of the track.
​
A groove‑ and sludge‑inspired standout, “Blacklisted” serves as the thematic counterpoint to the EP’s opening tracks “Isolation” and “Ill‑Gotten Gains.” Where those songs explore the chaos created by self‑serving actions, “Blacklisted” flips the perspective, calling out the people who manipulate, exploit, and leave destruction in their wake.
​
Musically, the song leans into thick riffs, a grinding mid‑tempo pulse, and the band’s signature blend of heaviness and melody. It’s a concise, punishing statement that reinforces why AITTALA’s sound remains difficult to categorize, and impossible to ignore.
​
Watch the video via its premiere on Metal Addicts HERE.

​
Released this past November, “Ill‑Gotten Gains” continues AITTALA’s tradition of blurring metal subgenres, pulling from traditional metal, doom, groove, progressive elements, and more to create a cohesive, emotionally charged experience.
​
The EP’s lyrics trace a path from chaos to consequence to the search for redemption, examining how people create disorder for personal gain, face the fallout of those choices, and grapple with whether forgiveness is still possible. Each track sharpens that arc: “Isolation” delivers doomy heaviness and shifting time signatures as it confronts consequences; “Ill‑Gotten Gains” rides a bouncing 8‑string riff into the mindset of exploiting chaos; “Blacklisted” uses groove‑sludge grit to call out manipulative behavior; “Ever After” offers a modern metal ballad of internal struggle and uncertain redemption; and “Ashes” leans into traditional heavy metal as it follows someone spiraling downward and pulling others with them.
​
The EP cover features an updated version of Frank, AITTALA’s long‑running mascot, a cartoon pig head inside a pentagram, created in 2014 for the album “Effigy.” Frank represents the shady figure who helps acquire “ill‑gotten gains”…for the right price. His return on the cover ties directly into the EP’s themes of corruption, consequence, and moral decay.
​
​AITTALA’s sound resists simple labels, blending classic heavy metal, doom, groove, progressive and power metal, thrash, and hard rock into a style that’s distinctly their own. Lyrically, Eric Aittala pulls from the darker edges of human experience, crafting songs that balance heaviness with introspection.
​
Founded in 1991 in the Netherlands, AITTALA quickly became a staple of the Dutch metal scene, even opening for The Gathering and Sadist after releasing their 1993 EP “Selling Heaven.”
​
After disbanding and later resurrecting the project in 2008, AITTALA released six full‑length albums between 2009 and 2022, followed by the “Machines” EP (2025). Each release showcases the band’s evolution while preserving their unmistakable core sound.

Recommended for fans of Mastodon, Eyehate God, Baroness, Crowbar, Katatonia, live music enthusiasts can catch AITTALA at the following show dates below.

Aittala Tour Dates (WV, VA, TN, NC)​
May 21 – Tilty McFlipperz – Martinsburg, WV
May 22 – The Spot on Kirk – Roanoke, VA
May 23 – Capones – Johnson City, TN
Jun 19 – Cannonball Music Hall – Raleigh, NC
Jul 31 – The Den | Winston – Salem, NC
Aug 7- White Rabbit Pub – Fayetteville, NC
Aug 29 – Scandals Live – Virginia Beach, VA

“Ill-Gotten Gains” (released Nov 21, 2025) is available from Exitus Stratagem Records – https://hypeddit.com/aittala/illgottengains​

Music Video – “Isolation” – https://www.youtube.com/watch?v=V5Y_azlkGLg​

Music Video – “Ill-Gotten Gains” – https://www.youtube.com/watch?v=IjlP92y_sQg​

Lyric Video – “Ever After” – https://www.youtube.com/watch?v=ipo98unZUoQ​

Track Listing:​
1. Isolation – 4:22
2. Ill Gotten Gains – 4:20
3. Black Listed – 3:35
4. Ever After – 4:29
5. Ashes – 3:50
EP Length: 20:37

Live lineup:
Eric Aittala – Guitars/Vocals
Gary “Zeus” Smith – Drums
Dane Taylor – Bass

For more info: Exsrmusic.com | Aittala.com | Facebook.com/aittalamusic | Instagram.com/aittalamusic

– 30 –

“Six full-lengths, two EPs, strong and steady since 2008. Dang. What keeps North Carolina trio AITTALA going? Sheer compulsion for music making is my guess. There’s nothing like the experience of the real thing, despite the obscene ease and seductive sophistication of AI fakery. To hear and feel heavy music live from their minds and voices and hands of real human beings just like you – well, there’s just nothing like it. Bands with stubborn longevity like Aittala serve as an inspiration to the scene. Pick up an instrument, get to jamming, let your voice be heard. If this is your first encounter with the band, perhaps “Isolation” is as good an introduction as any. Mysterious strumming, powerful emphatic chords, and wall-shaking disruption clears the path for soulful, soaring guitar soloing and somber Gothic intonations.” – Doomed & Stoned (2025)

“Bookended by “Machines (Prologue)” and “Machines (Epilogue)”, the album’s structure feels like a full-circle journey. One that captures the essence of the band’s evolution. The blend of storytelling and heavy music makes it clear why these tracks were worth bringing back. With Machines, Aittala doesn’t just revisit the past. They make it hit harder than ever.” – Amplify The Noise (2025 – Machines EP)

“Captivatingly versatile, genre-connecting with plenty of attitude. An intensely powerful and emotionally captivating Electric Doom/Heavy/Power HouseTrip that is excellent at combining expansive melodies and atmospheric melancholic heavy touch. 8/10” – FFM-Rock (2025 – Machines EP)

“A pure blast of good tunes flying around for life. A retro llike cover artwork, it matches it all. The atmosphere and the old tunes still ringing after so many years like it was yesterday. A very good album to own with pleasure. Aittala is here to stay, get your dose of good tunes 100/100.” – The Metal Mag (2025 – Machines EP)

“Eric Aittala is obviously nostalgic on ‘Machines’. But that in no way means that the sound is frozen in the past. On the contrary, the production is modern and powerful. The individual songs are thus transferred to the here and now. A good album, even if the band is ‘only’ a duo.” – Metalheads Forever Magazine (2025 – Machines EP)​
​​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – Asher Media
Tweet – AsherMedia

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